Fabíola Santana
We're Here Because They Were
→ entry · access · artists · credits · websites Updated 3 April 2025
Presented by Word of Warning at Company Chameleon
A movement ritual of care and resilience — to nurture our connections to the elders and ancestors.
How has colonialism impacted the care we have received from our elders?
How did we experience their resilience?
What nurturing strategies can we share with each other to help us thrive, in a mainstream society that seeks to racialise and dehumanise us?
Can we create rituals and spaces to care for ourselves?
Women from the Global Ethnic Majority — whose families have been impacted by colonisation — share their own histories of care, resilience, legacy, and how these stories live in their bodies. Going beyond everyday storytelling, they transform those energies into a live experience.
This performance draws upon a phase of R&D that focused on weaving personal storytelling, movement, dramaturgy, and community.
Entry
Pay What You Decide: £15/£10/£5/£0 (advance booking recommended).
Tickets: now available online via Eventbrite.
Time: Thursday 29 May 2025, 7.30pm (doors open 7pm; performance ends about 8.30pm; after an interval there will be an optional postshow Q&A).
Location: Company Chameleon, 6 Barrass St, Openshaw, Manchester M11 1PU.
Travel: Gorton station is a 3-minute walk and we suggest arriving on the 18:57 northern train from Piccadilly; alternatively you could take the 219 bus.
Please note: a work in progress of WHBTW is showing at Unity Theatre Liverpool on Wednesday 23 April, 7.30pm.
Access
Age Advisory: 14+ (parent/guardian/carer discretion).
Content Warnings: please click here.
Features: a contemporary dance performance work with varied content including spoken English and Portuguese language; occurs in Studio 1 on the ground floor, a studio space with raked seating.
Queries: please contact Word of Warning via info@habmcr.com
Artists
Fabíola is an interdisciplinary Afro-Portuguese Liverpool-based artist. With a PhD scholarship in performance and decolonising studies (Liverpool Hope University) she is currently researching performance-making as a space where people from the Global Ethnic Majority can gather to centre their stories, be witnessed, and be nurtured — collectively creating a space for the ancestors to reverberate through us — pointing us toward the elders we want to become.
She is the maker of A Home for Grief supported by Lancaster Arts, Unity Theatre (Liverpool), Contact (Manchester), Tramway (Glasgow), and using public funding by the National Lottery through Arts Council England.
Jessica Morgado is an emerging Cambridge-based dance artist. As a dancer and international collaborator her works include: WRESTLELADSWRESTLE by Jennifer Jackson Company (Cambridge); Turn 2024 with Fabíola Santana (Manchester); Company MARRAFA (Brussels); HOME by Luís Marrafa (Dilbeek, Belgium); Rebuild by Iolanda Rodrigues and Marina Sacramento (Portugal); Oi-to by Lia Vohlgemuth and Nuno Santos (Portugal).
WilL Dickie is an interdisciplinary artist whose works have received nationwide support and toured to over forty UK venues including: Southbank Centre, The Place (London), and In Between Time (Bristol). His recent show White Sun had its international premiere in Boorloo—Perth (Australia) as part of The Blue Room Theatre’s Summer Nights during Fringe World Festival 2025. White Sun was first developed in Works Ahead 2020-2022, commissioned by hÅb and Contact. His collaborative credits include choreography for Hanna Tuulikki; movement director at Regents Park Open Air Theatre; director of A Home for Grief by Fabíola Santana.
Credits
Created & performed by: Fabíola Santana
Performed by & devised with: Jessica Morgado
Directed by: WilL Dickie
Producer: Emmy Lahouel
Recipient of the Turn Prize 2024 supported by Dance Consortia North West using public funding by Arts Council England, and by Company Chameleon, hÅb, and Project Auske. Made possible by an Artist Residency with Metal Liverpool. In partnership with Unity Theatre Liverpool, Tyn-y-Parc Studio (Wales), and Liverpool Hope University. Supported using public funding by the National Lottery through Arts Council England.
Image: Turn 2024 at Company Chameleon by Tamsin Drury
Websites
fabiolasantana.co.uk · willdickie.co.uk
Insta @fbs.santana @jessicamorgado_ @will_dickie_ @emmylahouel